D4D

Would you be offended if I called you a cunt?

Archive for the category “Creativity”

New Zealand War Memorial

Last Sunday, I was in London to meet friends and eat food. (I know, it’s a shock)

I was hugely early (also not a shock) but semi-intentionally so, as I’d originally planned to do a decent-ish walk (still no shocks) and then meet up.  But other plans from the day before had changed, so I started off by knocking the planned 8-miler on the head, and instead taking the Tube in to London, have a smaller more sensible walk, and then meet up.

And then I walked, and it all changed a bit, so I ended up still doing a nearly-eight-miler. Because I’m an idiot. (Hey, where are those shocks? Nope, still not happening)

The route was a bit different to my usual ones though, and on a couple of occasions ended up with “Oh, I could go that way, but I’ve done that before. So let’s go this way instead”.  On one part of that, by Hyde Park Corner, I opted to cut through by Wellington Arch instead.

And in there, it turns out that there’s a huge sculpture piece for the New Zealand War Memorial. It really is quite epic – and yet dwarfed by the buildings, arches and other stuff nearby.

I really liked it – and although this time I was on a bit of a stomp, I’ll definitely go back on an occasion where I’ve more time, and look at them properly.

Saturday – Giacometti

On Saturday, I went into London for a walk, and to visit a couple of exhibitions – which turned out to be three – as well as food and the like.  As there’s other stuff going on this week that I can’t be naffed to go into right now, I thought I’d write a bit about some thoughts related to the exhibitions. So that’s the plan.

The first one on the list was Tate Modern’s exhibition of works by Giacometti. Up ’til now, I’ve seen a few of his works, but not loads – and I’ve honestly never seen the appeal of them. They’re certainly distinctive, strange, and of note – but I certainly didn’t love them, and didn’t really get why he’s so well regarded.

Having seen the full exhibition, I still don’t love them, but I understand more of why he’s regarded. Oddly, his statues still do very little for me – I find them kind of odd, and kind of unsettling, but nothing more than that – and I certainly couldn’t sit and just look at one block of statues, as one person was doing. (He’d even brought along his own camping stool in order to do so, God love him)  However, I really liked some of the sketches, and some of his oil work that looked like it had been done in charcoal.

I think that in some ways I wasn’t convinced of Giacometti as being an actual artist – OK, he could do the sculptures, but that could’ve been just the one thing. Having seen the sketches, drawings, and paintings, I do realise that he’s a lot more of an artist than I’d thought, and a lot more talented.

That doesn’t make me like the sculptures and so on, and I still wouldn’t go from here to the bog to see another exhibition of his work, but all the same, I’m glad I did go.

 

#1 Dad

Sometimes, you see something, and your brain just goes “What?!?”  (or words to that effect, but with more swearing)  Currently, there seems to be a theme connecting that with both Father’s Day and Star Wars.

Last year, we had the card with Kylo Ren…

[Spoiler from two years ago –  Kylo Ren kills his father]

This year, I’ve seen this in Sainsbury’s…

I’m pretty damn sure they haven’t seen the same Star Wars films I have…

Outlining

At the moment, I’ve got several writing plans/projects in my head, but two that are really standing out, and that I want to work on.  And already that’s a fair dollop of progress.

For now though, I’m trying something a bit different – I don’t yet know if it’ll work out, but so far it appears to be doing OK.

Basically, rather than just writing and seeing how things develop, I’m taking some time first to outline it all, so I know what the plan is, where characters will go, and how everything interacts. It’s also interesting, from the perspective of figuring out more about how my brain processes these things.

The only thing that concerns me currently about this process is that I know how I am, that once I’ve written something down or otherwise got it out of my head I’ll forget all about the details, and there’ll be something else to grab my attention instead. Oooh, shiny.

So it may be that doing these outlines is as far as I go on these ideas. Or it may be that the outlines gel everything together so that I know what I’m doing, and then just want to get it done.

And only time will tell which of those options will happen.  Which is kind of cool, and kind of frustrating…

A Paucity of Postings

Despite the best of intentions, this week’s been quiet here on D4D™.

Mainly, it’s because I’ve been absolutely snowed under with work, including beating the living hell out of databases – and cursing the clowns that wrote Microsoft Access, which is what I’ve been taking data out of and putting into something decent. One of these days I’d like to meet the people who created it, and ask just what the fuck was going through their minds when they made certain decisions.

Along the way, there’s been a whole bundle of other stuff, insomnia and the like, and well, it’s just January.

I have a hard time with January, for some reason. It’s part of the reason I don’t really make New Year’s Resolutions, because I know I’m never good with the start of the year.  The thing is, I don’t really know why it’s such a tough one for me.

I’ve got my suspicions – and primarily it’s about preparation.

I know I get affected by autumn and winter, as the nights draw in and so on, and I can fight it for a long time. Then there’s the standard dislike of the Festering Season, which I’m ready for and can keep on fighting.  But now we’re through all that, the days are getting longer, and we’re through the whole Christmas period.

This is where (I suspect) my problems kick in – the days are still short, even if they’re lengthening. It’s just not doing so quickly enough. This week in particularly has been pretty much solidly grey and overcast, with little to no sunlight coming through. And I’m just tired, with no real energy for continuing to fight the whole Seasonal thing.

It leaves me flat, tired and uninspired. It shouldn’t, in all sense, but regardless, it does.

So yeah, this week’s been more about downtime, about being tired and grey, and not really in the mood for doing much. I’ve got a fair amount of stuff in the coming week as well, which will help. But this week’s been a flat and down one. Such is life, and all that rot.

2017 Inspirations – Photography

As things change for me in 2017 – well, as I do new stuff, or restart old stuff – I’m hoping/intending/planning to write more about it here on D4D as well, along with things about what’s driving those choices.  So there’s a new subject/category to cover it all.  And this is where it all starts.

As long-term readers know, I was into photography for a long time, did pretty well at it, and even ended up taking a course while I was in Norfolk in order to better understand what the hell I was trying to do.

But since Norfolk and Suffolk, I’ve been doing a lot less photography. Some of that is due to my mobile phone, where the pixel count is higher than the SLR I still have. It’s also about faff – lugging an SLR around for the day (particularly when doing anything else, like one of my idiotically long walks) is a hefty job anyway, and it’s simply never ready for a quick photo. Using the SLR is a much bigger commitment in many ways, and over the last four years, I really haven’t been making that commitment.

This year, I want to change that, and do more where I actually go out with the SLR, with the intention of taking photos.

The first real inspiration for that has been this story on the BBC, of Dean Saunderson’s photos of a deserted Nottingham on Christmas morning. It’s something that works for me, having been to many places at ungodly-o’clock, and seeing them with very few people around. Oxford, for example, is beautiful at 5am on a summer Sunday morning – and the same applies for many other cities. So this is a theme/topic/idea I could get into, and will probably have a few goes at over this year.

We’ll see at the end of the year how I do on these inspirations. It’s going to be a year where I (hopefully) figure out more about the things I want to continue doing, and which ones I’ll be happier to leave by the wayside in order to do other things.

Inspiration

I’m just leaving this here as a remind to myself, on occasion…

The advice I like to give young artists, or really anybody who’ll listen to me, is not to wait around for inspiration. Inspiration is for amateurs; the rest of us just show up and get to work. If you wait around for the clouds to part and a bolt of lightning to strike you in the brain, you are not going to make an awful lot of work.
All the best ideas come out of the process; they come out of the work itself. Things occur to you. If you’re sitting around trying to dream up a great art idea, you can sit there a long time before anything happens. But if you just get to work, something will occur to you and something else will occur to you and something else that you reject will push you in another direction. Inspiration is absolutely unnecessary and somehow deceptive. You feel like you need this great idea before you can get down to work, and I find that’s almost never the case.

(C) Chuck Close

This came from Zack Arias’ DexPxl blog, a piece entitled “Get the F*ck To Work” (his asterisk, not mine!) which also included the clip below of David Bowie’s advice to musicians…

A transcript of that is :

When asked if he had advice for musicians, Bowie replied: “Yes, never play at a gallery. [Laughs] I think. But you never learn that until much later on. But never work for other people at what you do. Always… always remember that the reason that you initially started working was that there was something inside yourself that you felt, that if you could manifest it in some way, you would understand more about yourself and how you coexist with the rest of society. And I — I think it’s terribly dangerous for an artist to fulfill other people’s expectations; I think they produce — they generally produce their worst work when they do that. And if — the other thing I would say is that if you feel safe in the area you’re working in, you’re not working in the right area. Always go a little further into the water than you feel you’re capable of being in, go a little out of your depth, and when you don’t feel that your feet are quite touching the bottom, you’re just about in the right place to do something exciting.”

Again, just a reminder for me, more than anything else – but if anyone else finds it useful, that’s grand.

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