Month End

Blimey, the end of March already.

It’s been an utterly mad day – longer because we do one hell of a lot of our work at month-end, so I started at 8am and finished at 6.30pm. Less hours than some people in the company worked, but more than most.

What hasn’t helped is that I’ve had two consecutive grotty nights too, so I’m looking like a stunned primate right now.

To add to the fun of the day, a flood and fire in a BT Exchange in Paddington, London affected the business throughout the afternoon by blocking a lot of our ePayment systems access to banks in London – nothing we could do about it, but it certainly made life a bit more fraught.

Finally, it was the planned deadline for the big project I’ve been working on for the last six weeks. It hasn’t worked out that way, but I still wanted to get the majority of it done by today – and that’s been successful. I’ve got some bugs in it, and some work needs doing still, but the basics are now in place, and we could go live with what we’ve currently got.

All told, a good day, if a manically busy and stressed day.

I’m seriously glad that I’ve got a long weekend booked – I’m off now ’til Wednesday, and I’m looking forward to that time off. It’s been one hell of a long first quarter of the year.


Ouch

Ouch.  The mind boggles as to why you’d do this to yourself…

Just why?


Hardly a Shock

So, Ricky Martin has come out as gay.

And this is news?!?


Writing Plans

One of my challenges for April is to take part in Script Frenzy – a challenge to churn out 100 pages of screenplay during the month.

I don’t yet know if I’ll manage to do it – there’s a lot of stuff coming up over the next month what with one thing and another – but I’m going to give it a go. I had my reservations back in November about the National Novel Writing Month (NaNoWriMo) but this time round it’s something I feel a bit better about having a go at it.

I won’t make any promises or guarantees about this right now – I had intended to have some plans and idea in place before the start of April about what’s going to happen and where it’s going to start/run/go, but I haven’t. We’ll see.


Peter Gabriel at the O2

As has been mentioned before on here, I’m a bit of a fan of Peter Gabriel – not hardcore “all the way back to the 70s”, but I like far more of his stuff than I dislike, and I’ll usually go and see him live. Mind you, I’m gobsmacked that it’s now six years since I’d seen him live – although I did end up missing (OK, not going to) the concert a couple of years back at Blickling Hall in Norfolk.

Anyway, when I saw about tickets coming available for a concert at the O2, I was there. It was in promotion of the “Scratch My Back” album which hadn’t even been released at the time, but *shrug* I don’t worry about things like that.

The gig itself was always going to be slightly strange. Gabriel’s done away with the general band stuff, and instead gone with a total orchestra, stripping down the songs and then orchestrating them. It had been billed as being no support, an hour of the new album, an interval, then another session with older stuff. It didn’t work out quite like that – everything started late, there was then a short (three song) intro by Anna Lünd – who’s also doing a lot of the backing vocals in the rest of the show. At that point the lights went back up, an interval of about ten-fifteen minutes, and then into the Scratch My Back section of the show. A fifteen minute interval that stretched to nearly thirty, then back to the final “older stuff” section.

All that aside though, it was a really good gig. The visuals were really impressive, doing stuff I hadn’t seen before with multi-layered screens, and almost holographic at some points. The sound was fantastic, and the orchestra were stunning. Some of the songs were just fantastic – particularly his versions of Arcade Fire’s “My Body Is A Cage” and Magnetic Fields “Book of Love”. The entire album was done live, which is quite an achievement in itself.

The second section was more of the same, but orchestrated versions of older tracks, including the crowd favourites. There were a couple I wish he’d done as well, but I think that’s always the way when it’s a gig covering nearly forty years of music. But he played (among others) “Digging in the Dirt”, “Signal to Noise”, “Mercy Street”, “Darkness”. “In Your Eyes” and (of course) “Solsbury Hill”, which still managed to be as whimsical as ever.

I’d have loved to see Sledgehammer done in this gig, or Growing Up, but I guess they’d be hard to do in an orchestrated version.

All told, it was a pretty great gig – allbeit a very different one to most of the ones I see, and very different to the previous Peter Gabriel concerts. But still, fantastic to see.


Spring Forward

Don’t forget to put your clocks forward…

On a side note, I won’t be sodding about with trying to set D4D™ to use BST instead of GMT. It’s a pain in the tits, and I really can’t be arsed. So posts will be appearing earlier/later/whatever than they should ’til we return to GMT. Live with it.


Web Source East

Yesterday I was at the Web Source East conference at the King’s Centre in Norwich.  And all told it was alright. Not brilliant, but alright.  I’m going to write more about it over on my company site, but thought I’d put a brief review here as well, just for the hell of it.

I think I’d probably have been more impressed if it had been a bit more organised. For a conference based on web stuff, it’s a bit of a worry to go in and be checked off with bits of paper, no tech in sight at all. It’s even more of a worry when it takes them the whole morning to sort out internet access over the wireless network.

Those niggle aside though, it was a pretty good day.

For me there wasn’t a mass of new stuff to take away from the conference, but there was enough to keep it interesting, so that’s all OK then. Some interesting ideas and bits, and it’s always good to see what other people are saying about the same subjects.