Turbo-charged

It took its time happening, but the car’s now back, the broken turbo‘s been fixed and all seems well.

I actually got it back last Friday, but I’ve been travelling round like a dickhead since – I’ve covered a thousand miles already, and given the new stuff a good bedding-in along the way.

It’s not been cheap – far from it- although it’s still cheaper than getting a new car. But at least it’s now back on the road, and I’ll just have to wait and see how it does from here on.

Along the way, it’s also meant I’ve been considering what to do when it comes to getting a new car, doing some thinking and making some plans for that time. I’ll write about that some other time, though.

For now, I’m just happy to have the car back and working – now it’s just time to get it re-taxed and booked in for its MOT. Fun, fun, fun.


Meaty Excesses

Last week was a very bad one food-wise. Not bad food per se, but more just that I was being bad by eating a lot of meat.

On Thursday it was the National Burger Day event down at Hawker House in London, which is something that’s been in my diary for the last three or four years. As usual, it was a good event, I got to see some people I’ve known from previous ones, and also meet some new ones who I hope to stay in touch with.

Then on Saturday and Sunday it was Meatopia down at Tobacco Dock in London – for my fifth consecutive year. Both days of that were great – personally I think I preferred the Sunday, which seemed to have a greater variety of meats and techniques than the Saturday.

All told, I ate a lot. But in some form of compensation, I also covered just over 110,000 steps over the week, amounting to just under 60 miles. In a week.

In short, I’m just an irredeemable idiot, with no real idea of what’s sensible…


An Unholy Clusterfuck

It seems at the moment like there’s a massive conspiracy going on that makes access from my area to Milton Keynes into an absolute nightmare.

Last month, the Highways Agency started work on the M1 from J13 to 16, installing “smart motorways” stuff, and shoving in a dirty long 50mph speed limit, enforced by average speed cameras. (And there’ll be a post on those some other time)   That work is going on ’til March 2022.

Next month, Bedfordshire and Milton Keynes councils are starting the second phase of their joint project to make the A421 dual-carriageway between J13 of the M1 and Milton Keynes.  That’s going to have a 40mph limit on it, and will be in place ’til the end of 2020.

So for the next 18 months minimum, the two primary routes into Milton Keynes will be speed-limited and being worked on at the same time.

And then just to top things off, one half of the other primary route (on the other side of Milton Keynes) is undergoing resurfacing work for the next couple of months – which means that my only other primary route is going to be handling all the traffic that should be on that one.

Like I said, it’s all just seeming like either a sinister plot, or a massive organisational clusterfuck.  Both of which have the same results, when all’s said and done.


Othello and Aristocrats

On Tuesday, as I mentioned before, I went down to London to see Othello at Shakespeare’s Globe. I’d not seen any previous productions of it, and it seemed like a good plan – particularly as it was only £5 for a standing ticket.

All told, it was OK. Standing at the Globe is OK, although the concrete floor is a lot less forgiving than the original’s mud, straw and whatever. I get that that’s less sustainable in modern London, but yeah, a bit tough when standing for near-as-dammit three hours, once you include arriving before it starts, interval, and leaving.

The play itself was good, and I had a decent view of the stage, albeit from the side. Going in with a pretty blank and basic idea of the play, it fulfilled most of that, and was easy enough to follow. I had always had the idea that Iago was a lot more panto-villain with hand-twisting moustachioed evil – although I suspect that’s just how it’s been built up over the years, as a lot of the irony of calling him “honest Iago” wouldn’t work if he were being blatantly manipulative and machiavellian – so it was interesting (and a bit jarring for me) to see the way it’s played by Mark Rylance as a much quieter role, more of a jealous little man, overlooked by those in power, assumed to be a nobody who couldn’t possibly come up with such intrigues. 

But I enjoyed it (although I feel the ending is another of Shakespeare’s more melodramatic dollops) and came out feeling I’d got what I came for.

Then, because I’m an idiot, I’d also booked to see Brian Friel’s “The Aristocrats” in the evening, at the Donmar Warehouse.  Which also conveniently meant I could go and have a quick dinner at one of my favourite places in that area, Chick’n’Sours (Fried chicken and sour cocktails – my kind of place)

So that’s what happened – a walk back from the Globe to Seven Dials, food, and then with plenty of time to kill I sat outside an empty building on Earlham Street, right by Donmar Warehouse, and just relaxed for an hour – which was lovely. It’s a really quiet street – surprising for being in the Covent Garden area – with enough people going past to be interesting, but not chaotic.

And then Aristocrats. Which, in my opinion, was sadly an absolute bag of bollocks. Apparently it’s Chekhov-esque, which apparently means “sod-all happens”. I’d seen generally positive reviews of it, but couldn’t find much to be impressed by in it, myself.  It was good to have seen it, and understand a bit more about the kind of plays I don’t like – which is always a useful reference point, so long as you haven’t spent an absolute shed-load of money to find out you hate it – but it’s definitely not one I’d bother with again.

Mind you, I was in a seat in the second row of the stalls, right by the stage, and it cost me £30.  So it could’ve been an awful lot worse than it was.

All told it was a good day, and not massively expensive. What more could one ask for, really?


Turbo Near-Miss

While driving down to London yesterday (of which more in another post) my car started to make an odd noise. Primarily a whining noise when under acceleration, and generally not all that well.

I called my usual garage, told them what was happening, and got told “Oh, first time we can look at it will be September 3rd”.  (The usual “fob off the customer” approach that they’ve excelled at so many times)  So instead I contacted the other dealership in the area – part of the same group, but run as a separate entity – and the person there made noises of “Oooh, that’s not good”, and asked if I could bring it in the next day (today)

I did so, and as I’d suspected, the turbo is on its way out.  Bollocks.

So the car’s booked in for the work – not cheap, but less than getting a replacement vehicle – and I’ve got a replacement vehicle while they do it.

So far, the new dealership looks really promising – the service department have been great so far, and the deal I’ve got from them has been positive.  It may be that they turn out to be shite – but if not, I’ve got other options.

It’s surprising to see the difference between the two dealerships – the previous/main one (as I’ve mentioned before) consists of a patronising bunch of fuckknuckles. They seem so complacent about everything, and their idea of customer service appears to be to make the customer feel like a fuckwit.

What they’ve never understood – and the new place appears to – is that the service department is just as much of a sales tool as the actual cars in the showroom.  If I’m being treated like crap by the service department with the current vehicle, what on earth would make me buy another car of the same make, and lock myself into further years of being treated like crap?

That’s what the new one seems to understand – that this is the way to keep people coming back. It’s what the Saab garage I used with the previous car understood – and so did the Ford one before that.

We’ll see what happens now, and how things go after the repair. I’m hoping that this time won’t have the same knock-on after-effects that it did when the same thing happened on the Saab.  (Although this time it’ll also help that the turbo was just on the way out, rather than having gone pop when travelling at speed, as the Saab one did!)


Idiocy (As Usual)

Every so often, I realise that I truly am an idiot.  Usually only when it’s too late to do anything about it, but still – at least I recognise that I’m an idiot. And yes, I know, it’s nothing new or newsworthy

In the latest example, it all started easily enough – I saw that Shakespeare’s Globe is doing a production of Othello (which I’ve never seen) that had tickets available for a matinee performance. Cheap too, as they’re for standing audience places. And that’s all well and good.

Only then I also saw stuff about another play that’s on in London – “Aristocrats” at the Donmar Warehouse – which had availability for the evening of the same day. So I thought “Yeah, why not?”

Even that’s not too bad – it’ll be a long old day, but hey ho.

It was only when I looked at the calendar on my phone that I realised (again) that I’m an idiot – because in that same week, I’m also already booked in for a one-off cinema showing on the Monday, then the theatre stuff on the Tuesday, then out on Wednesday, and back at the cinema for another one-off screening on the Thursday.

And this is all while I’m still supposed to be doing less.

So yeah, I’m an idiot. A busy idiot, but still an idiot…


Bat Out Of Hell, Dominion Theatre

Last weekend, I went to see Bat Out Of Hell, the juke-box musical based on the Bat Out Of Hell trilogy by Meatloaf.

It hadn’t been super-high on my priority list, but a friend of mine is running the lighting desk, and it was also in consideration as something to take my mum to later in the year, so I picked up a ticket to see what it was like.

I didn’t really know what to expect – and in many ways, I’m glad of that.  While I did enjoy it, it’s not one I’d go and see again (and also I’m not convinced that mum would like it) so it was definitely worth seeing as research first.  In fairness, a lot of people really like it and have seen it multiple times – and Meatloaf himself saw it a couple of days before I did, and seemed to be pleased with the entire thing.  It just didn’t really do it for me – it’s a subjective thing, and I’m never going to say to anyone “Don’t go”.  It just turned out to not be my thing.

The staging, set, lighting and so on are great, the music performances are pretty good – but the story itself is woeful, and seems to be there just as a kind of bare basic scaffold on which to hang the songs.  (I’m no expert on juke-box musicals, so this could be the case with all of them, I don’t know – and I’m not going to generalise based on a sample of one!)

But still, it was entertaining enough, and kept me amused.  I didn’t come out thinking I’d wasted my money, or disappointed in the production – but I still wouldn’t want to pay to see it again…