2014 Media – Films

In 2014, I saw 64 films at the cinema

As for the film count, I kept track. I do get a summary count from Cineworld – but they operate on May to May, which is the anniversary of when I started the account with the Unlimited Card. So I keep track for the calendar year instead. It’s a bit geeky (I know, who’d have thought, with me) but it’s of interest to me, if no-one else.

I won’t list them all – that’s definitely of interest to no-one else, and my film taste is frequently bloody awful.

Anyway, of those 64 films, only one wasn’t at a Cineworld (as usual, taking Father to see the Hobbit film at the closer cinema, which is an Odeon) because of that Unlimited Card.

Currently, that Unlimited card costs me £16.40 a month, which makes just under £200 a year. (£196.80, if we’re being accurate)  A single adult ticket to my local Cineworld cinema is £10.30. Seeing two films a month means the ticket pays for itself.

Now, it’s hard to work out the true savings, because obviously without that card, I would most likely have not gone to see as many films as I have. I’d have still gone, but only seen maybe half as many, even a third as many.

But even if we go right down to seeing a third as many films at full price as I have with the Unlimited, that’d be 21 films at Cineworld. So that would still be £216.30 – and that means that even at the most basic level, I’ve still saved at least £20 on tickets.  Looking at seeing half the films, that would be 31 films – which at full price would’ve cost me £320 – and the Unlimited ticket would’ve saved me £122.50.

As with the book target, I don’t know if I’ll see as many films in 2015. I’ll still see a fair amount – and as we’ve shown, as long as it’s more than two a month, that card is paying for itself.  That’ll do me for the moment.


Chef

Last night, I went to see Chef at the cinema. It’s brilliant – if you get the chance, go and see it.

Lots of films (or their reviews/pimps) bang on about being “the feel-good movie of the season/year/decade” – Chef doesn’t, but bloody well should. It’s ace.

The basic premise is simple – talented chef gets bored by humdrum menu/restaurant, has a meltdown at a restaurant reviewer, loses his job, goes off and launches a food van doing what he loves. But the acting, the script – and the food – all raise it up a level.  I’ve never been in a film where you hear the audience groan with lust/envy at the presentation of food in the film. They did in Chef.  Sure, it’s – kind of – a film for foodies, but it’s not just that. It’s one of those films where you can see that they had fun doing it, that it was an enjoyable thing to work on.

It’s funny, it’s sweet (without being mawkish, cloying, or any of the normal American emotional guff) and it’s just good.

Go and see it. It’s worth it.


The Imposter

Over the weekend, I finally watched The Imposter, a documentary about a man who impersonated Nicholas Barclay, an American teen who had disappeared four years previously.

It’s a fascinating – and very creepy – film, which would be dismissed as unrealistic and impossible if it were a fiction story/film.

The Imposter himself, Frédéric Bourdin is a very strange character, and (in my unprofessional opinion) probably about as much of a pure-bred psychopath as it’s possible to be. The family of Nicholas Barclay are also extremely strange – and yes, I know, editing etc. – and make you wonder just why a family would accept in a stranger that could not possibly be their child/relative.

I don’t know the full story – I doubt anyone ever will – but the documentary makes you think of alternatives, of options, and of coincidence. Maybe it was Bordin’s bad luck to pick Barclay as a person to impersonate – it certainly leads to a much bigger story, and a whole different set of possibilities.

Totally recommended, even if documentaries ‘aren’t normally your thing’


Mislaid

I am, on occasion, a bloody idiot. Last night was a prime example of that.

I went to the cinema to see the new Captain America film, and also had a meal. Because I was out like that, I took my Kindle, and because it was chiffing cold, I also took a jacket. (I’m normally pretty immune to cold, and don’t bother with jackets or coats at all)

When I got to the cinema, I put the jacket down by the side of the seat, with the Kindle in its inside pocket.

When I left the cinema, I also left the jacket – because it’s not in my mental software to get it, I completely forgot about it. I am, in short, a complete fucking idiot.

I went back this morning first thing (I had a day off anyway, for a number of reasons) to see if they’d found it, but no-one had handed it in. I’ll check again, just in case it’d been held over somewhere, but the odds are that the jacket and the Kindle are gone.

Of course, things could have been so much worse. It could’ve been an expensive coat/jacket, I could have left my wallet in the jacket as well. The Kindle could have had my payment details in it, or personal information. A couple of years ago, the loss of something like this would have knackered me, would have led to some financial juggling and so on just to replace it.

Now though, I’ve already registered it as lost, ordered a replacement, and it’s really not a big problem. It’s annoying – and of course a reminder that I’m a fucking idiot – but it all could have been so much worse. Indeed, it’s gone some way to showing me the changes that have happened over the last year or so, and in that, it’s no bad thing.


CGI

Over on Twitter this morning, I saw this image, a behind-the-scenes photo from Pirates of the Caribbean, showing the actors in their motion-capture suits, that allows CGI stuff to be added afterwards and move the same way the actor does.

Pirates of the CaribbeanNow what interested me the most was that the entire outfit – clothing etc. – was also all applied in CGI. And that had never actually occurred to me. I got that the various faces/tentacles/prosthetics were applied by CGI, but for some reason I’d never clicked that the clothing was all computer-generated as well.

Ain’t progress grand?


Giving The Game Away

Yesterday, for want of anything better to do, I went to see Ride Along at the cinema. I expected it to be bad – but screw it, it was free (although if it hadn’t been, I’d have been wanting my money back. Hell, I considered asking for a refund anyway)

It’s definitely an early contender (in my opinion) for the Worst Film of the Year (Mainstream / ‘Comedy’) category, but (as said) I pretty much expected that. Hated it. Although others in the audience at least laughed, so I guess that’s something.

What did surprise me though was how many of the key ‘jokes’ and scenes had been given away in the trailer – but also how many people still laughed at them.

It made me wonder if they’d actually seen the trailer before going to see the film, and if so, had forgotten them in the intervening time.

All very strange.


Bad Writing

Recently my visits to the local cinema have included the trailer below, for a new film called “Winter’s Tale

Within that trailer is the line

I’ve had no memory for as long as I can remember

which just drives me crackers. Seriously, people get paid for writing piss like that?

I mean, if you’ve no memory then of course it’s for as long as you can remember. Because you’ve got no fucking memory, you insufferable ballbag!

And breathe…