Benefits Street

At the moment, Channel 4 has a documentary series called “Benefits Street”, based around one road in Birmingham where the majority of its inhabitants are – yes! – on benefits.

It’s pretty standard C4 documentary fare, and follows on from others in similar vein, including “Skint” (families in Scunthorpe who are – yes! – on benefits) and so on. And as with the other similar ones, it got Twitter, Facebook, and the media in general up in arms. The fact that all this makes for great free advertising for the programme (because people want to watch it and see what everyone else is talking about) is of course purely coincidental.

No, of course Channel4 aren’t trolling media and social media in order to boost their own viewing figures. Of course not. *cough*

I didn’t bother with it – I know pretty much what it’ll show, they’ll focus on “human interest” stories within the street, edit it to within an inch of its life, show all the stereotypes, the ‘boss’ of the street, people shoplifting, drug-growing/dealing ‘to make ends meet’ and all the rest of it.

The thing that annoyed me the most about the entire hysteria though was that people started a petition to stop Channel 4 from showing the rest of the series.  Which is inherently pointless. The programme’s been made, it’s all over and done with. Hiding it away is effectively no different to hiding away the issues of people who are on benefits.  More importantly, it’ll make it into more of a talking point, and boost viewing figures.

If you don’t like this kind of programme, there’s a simple answer. Don’t watch it. Don’t promote it. Don’t talk about it, don’t link to it. Don’t bitch about it. But most importantly – don’t watch it. There’s plenty of other channels and programmes.  Channel4 is funded by its advertisers – by the people who want to promote their goods/products within the programme and the ad breaks. The more a programme is viewed, the more Channel4 can charge those advertisers.

If you don’t watch the programme, it doesn’t get viewers. And Channel4 won’t bother making more of a set of programmes that lose money, that don’t have viewers, and they’ll do something else instead.

It really is that simple.


Vile Humour

Sometimes I really worry about my own dodgy sense of humour.

Today’s one related to the helicopter crash in Norfolk earlier this week, so if you’re easily offended, look away now and don’t click on the more link…

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Back on the Hunt

With the current contract ending in two week’s time, this week marks the start of getting back into applying for new ones.

It’s not too bad a thing – and I’m so used to it, it’s just not really stressful any more – but does make me organised when it comes to keeping the CV up to date, and managing my own profile on shit like LinkedIn and (my favourite) JobServe.

I hate LinkedIn with a passion. However, it’s now the ‘go to’ site for lazy recruiters, so I kind of have to have a profile there and so on. I’ve made connections with some decent recruiters (and a whole horde of crap ones) but I don’t think I’ve ever actually got an advertised role from LinkedIn.  I actually get all my jobs through either

  • recruiters I’ve worked with before or
  • JobServe

Still, I keep my profile on LinkedIn – I suppose one day it may be useful. I can’t really think of what kind of situation that would be, but one remains optimistic.

In the meantime, back to sending out CVs in response to ads, and dealing with recruiters with little to no clue about what the jobs actually entail, or what parts of skillset are truly relevant. Joy and happiness, be unconfined…


Remember The Name

Over the Christmas Break, I watched more ‘live TV’ (i.e. not stuff recorded on my PVR, and not ‘delayed’ so I could skip adverts) than I usually do, and thus saw more adverts than normal. Advertising is something that interests me for a lot of reasons, mostly having worked for/with a number of agencies over the years, and also being interested in the psychology and manipulation behind them.

As always, “Brand Recognition” is one of my bug-bears, because for a lot of the time it seems that advertisers don’t care about much else, so long as you remember the brand-name. However, in my experience a lot of the time I remember the brands just so I can be sure to never, ever give them any money. This happens particularly when an advert (or set thereof) are

  1. insanely annoying (Insurance Comparison sites, EE, and the like)  or
  2. paying money to people I can’t abide, and/or hypocrites (an example covering both those is when Knorr were using Marco Pierre White to advertise their stock-cubes – a product he wouldn’t touch in a month of Sundays)

I’ve written before about how adverts for certain industries are changing – usually for the better – but it’s interested me to see how GoCompare in particular have continued that change.

When they started, GoCompare had one of the most insanely irritating advertising “characters” (that bloody opera singer) known to man. I won’t link to anything, because it’ll just cause brain-damage and broken monitors. (Apparently it was also voted “most irritating advert” for 2009 and 2010 – quite the achievement)  GoCompare then had ads of various celebrities killing the character in a variety of ways, and over the last year or so it’s been about the same character trying to get back into the adverts, and various ‘wacky’ schemes to advertise the company.

Now, though, they’ve changed again, and the same character appears to have become a driver or guide on coach tours. (Although I did like the reference to Blakey from ‘On the Buses‘, but that’s probably just a sign that I’m old) I have no idea where they plan to go with this set of adverts – although at least now they’re just weird and self-referential, rather than being actively violence-inducing.

I still wouldn’t ever hand over money to GoCompare – that memory of the dire branding will last a long time – but it’s been interesting to see how their stuff has altered over the last couple of years, in some sort of recognition that people hated the original concept.

[Updated and reposted on 7/1/14] – The Drum posted up this article about the ads, saying…

“We know that people will be keen to see what happens to Gio next. The new campaign will firmly position him as the legend that we all know him to be, but will also see the introduction of new characters enabling us to convey aspects of the Gocompare.com service that differentiate the brand still further.”

Although my favourite line (and I’m sure it means something other than what I’m choosing to read it as meaning) comes at the end of the article…

A series of executions are set to appear throughout the year.

 


CRB

Back when I started the new contract, I had to fill in a form online to kick off getting my CRB Check done. (It’s a requirement of the industry for this particular type of contract, and not something I have a problem with) That was at the end of September.

It finally came through on Friday – a month after my initial contract was due to end, and a mere two weeks before my extended contract is due to end.

It’s taken three full months to come in. Imagine if I’d been waiting for that CRB before I could start work in a new job? I could’ve done a full three-month contract in the time it’s taken to appear.

There’s been no indication of what caused the delays, no apology, nothing. Just a final “All clear” half-sheet of A4.

(And on a tangent, who knew that the CRB no longer exists, and it’s now the “Disclosure and Barring Service“?)

The thing is – that CRB check is effectively already out of date, and inherently useless.

All it does is show that I’ve not been cautioned/charged/convicted with anything until now, which is somewhat reassuring to employers etc., but that’s as good as it gets.

I could be charged tomorrow with something relevant – and they’d never know. Indeed, in this case I could’ve been charged with something anytime from mid-December, and they wouldn’t know. So it’s effectively pointless by the time they’ve received it.

As such, for anything other than verifying that I’ve been honest (in saying that I’ve no convictions) it’s absolutely pointless.


Captive Audience – Anti-Piracy Ads (Updated)

Back in October 2012 – fucking hell, is it really over a year since I wrote it? – I wrote about cinema adverts for anti-piracy, which really annoyed me. Basically, the ads are aimed at stopping film/video piracy, but were only being seen by people who’d already paid for a ticket, and were thus – um – unlikely to be pirates in the first place.

The even greater irony being that, of course, pirated films don’t have the anti-piracy adverts on them. (Which I can only see as a plus point for pirated films, to be fair)

Anyway, it occurred to me this week that actually, I haven’t seen one of those adverts in a few months – which is no bad thing.

Maybe all the complaints I made to Cineworld about them have paid off.  And if that’s the case, maybe it’s time I start complaining about the bloody awful ones for EE, starring Kevin Bacon. After all, all they do is add EE to the list of people I will never, ever give my money to.


All Done

You can tell that we’re now completely done with Christmas 2013.  How? Well…

  • The TV Adverts are all for
    • Diet plans
    • Holidays
    • Sales – primarily for Furniture, Kitchens, and other ‘big ticket’ items
    • Stopping smoking
    • Internet Dating (Because don’t forget, it’s only six weeks ’til Valentine’s Day)
    • Selling off unwanted christmas presents
    • Cold cures
    • Checking your credit score
  • Cadbury’s Creme Eggs and Mini Eggs are in the shops for Easter (and it won’t be long ’til proper Easter Eggs are on sale – I’ve already seen Hot Cross Buns!)
  • The news is full of ridiculous twaddle, because there’s sod-all of import going on

Still, at least we won’t see another bloody perfume advert until the run-up to Mother’s Day.